Rich overtones and improved sustain thanks to the rosewood back and sides deliver improved sound through greater ‘depth’. The appearance, with abalone inlay around the sound hole, is more luxurious and an obvious step-up. The small and thin body is perfect not only for female/young players but for intermediate to upper level finger-picking style players.
- Small Body
- Solid Spruce Top
- Rosewood Back & Sides
- Newly Developed Scalloped Bracing
- Rich Overtones
| Specification | Yamaha FS830 |
|---|---|
| Body Shape | Concert (Small) |
| Scale Length | 634 mm |
| Body Length | 497 mm |
| Total Length | 1021 mm |
| Body Width | 380 mm |
| Body Depth | 90–110 mm |
| Nut Width | 43 mm |
| String Spacing | 10.0 mm |
| Top Material | Solid Spruce |
| Back Material | Rosewood |
| Side Material | Rosewood |
| Neck Material | Nato |
| Fingerboard Material | Rosewood |
| Bridge Material | Rosewood |
| Nut Material | Urea |
| Saddle Material | Urea |
| Fingerboard Radius | R400 mm |
| Bridge Pins | Black ABS with White Dot |
| Tuners | Die-cast Chrome (TM29T) |
| Body Binding | Cream |
| Soundhole Inlay | Abalone with Black + White |
| Pickguard | Tortoise Pattern |
| Body Finish | Gloss |
| Neck Finish | Matt |
| Strings | Yamaha FS50BT or D'Addario XT |
